|
Kontrabässe
· Doublebasses
contact
|
Bestell-Nr./
Order-Nr. |
Beschreibung/
Description |
Modell/Model
|
Boden/
Back
|
Maße:
Oben-Mitte-Unten-Zarge
Dimensions:
Upper-Mid-Low Width/Side
|
Mensur
(cm)
|
Farbe/
Colour
|
Zustand/
Condition
|
|
|
3/4
4-S Hungarian with bird-eye maple |
Gamba
|
|
50,5
-37 - 66 - 20
|
D-104
|
bernstein
/ amber
|
good
allrounder bass, well balanced
|
|
M
0101
|
3/4
4-S Germany/ Plywood |
Gamba
|
|
51
-37 - 65 - 20
|
D-106
|
dunkelrotbraun
/ dark red brown
|
good
starting bass
|
|
M
0102
|
3/4
4-S contemporary Testore-Copy |
Violin
|
flach/
flat
+
gewölbt/
round
|
45
- 37 - 67 - 21
|
D-104
|
bernstein
/ amber
|
Excellent
allrounder and very good for solo playing
|
|
M 0103
klick here
|
4/4
4-S contemporary Hungarian Bass ca. 2000 |
Violin
|
gewölbt/
round
|
53
- 37 - 70 - 20
|
D-106,5
|
bernstein
/ amber
|
very
even with good response and volume
|
|
M
0104
|
3/4
4-S Bohemian Bass 19th century |
Gamba
|
flach/
flat
|
50
- 37 - 66 - 19
|
D-102,5
|
goldbraun
/ golden brown
|
fully
restored and in good condition
|
|
|
4/4 5-S Markneukirchen
ca. 1900 with ebony Kolstein-adjusters
|
Gamba
|
flach/
flat
|
53
- 42 - 68- 22
|
D-107
|
goldbraun
/ golden brown
|
entirely
restored and fitted with a new top and neck by Michael Krahmer
|
|
|
3/4
4-S Bohemian Bass ca. 1900 |
Gamba
|
flach/
flat
|
52
- 35 - 67 - 20
|
D-105
|
dunkelrotbraun
/ dark red brown
|
fully
restored, new top made by T.Poehling, very nice chamber music bass
|
|
|
4/4
4-S contemporary Gasparo inspired Copy
|
Violin
|
gewölbt/
round
|
52
- 38 - 68 - 21
|
D-105
|
bernstein
/ amber
|
fine
spruce top, beautifully flamed poppler sides and back, superior China
quality for any kind of group play
|
|
|
3/4
4-S contemporary Copy Viennese Style |
Gamba
|
gewölbt/
round
|
49
- 35 - 67 - 21
|
D-102
|
dunkelrotbraun
/ dark red brown
|
elegant
bass with brilliant sound for solo playing
|
|
|
3/4
4-S contemporary Ruggieri-Copy |
Violin
|
flach/
flat
|
53
- 38 - 67 - 21
|
D-105
|
goldbraun
/ golden brown
|
nice
working bass for any kind of music
|
|
|
3/4
4-S contemporary Th. Kennedy-Copy |
Violin
|
flach/
flat
|
51-37-
66-22,5
|
D-105,5
|
goldbraun
/ golden brown
|
perfect
bass for orchestra playing as well as traditional Jazz
|
|
|
3/4
4-S contemporary Hungarian Bass |
Gamba
|
gewölbt/
round
|
52,5-37,5-67,5
-20,5
|
D-103
|
orangebraun
/ orange brown
|
perfect
bass for Jazz
|
|
|
3/4
4-S contemporary Testore-Copy |
Violin
|
flach/
flat
|
45
- 37 - 67 - 21
|
D-104
|
bernstein
/ amber
|
Excellent
bass for solo playing
|
|
|
3/4
Hungarian Bass, ca 1900 |
Gamba
|
flach/
flat
|
52
- 36 - 64 - 20
|
D-105,5
|
bernstein
/ amber
|
powerfull
compact Bass for classical soloists
|
|
|
3/4
Hungarian Bass, ca 1940 |
Violin
|
flach/
flat
|
48,5
- 36,5 - 65,5 - 20,5
|
D-104
|
bernstein
/ amber
|
very
healthy condition + no cracks, clear and transparent sound
|
|
|
3/4
4-S Markneukirchen 19th century |
Gamba
|
flach/
flat
|
53
- 36 - 64 - 20
|
D-106,5
|
honiggelb
/ honey yellow
|
perfectly
restored, excellent
bass for any kind of music
|
|
|
3/4
4-S German Bass, ca. 1900 |
Gamba
|
flach/
flat
|
52
- 36 - 66 - 20,5
|
Eb-105,5
|
rotbraun
/ red brown
|
perfectly
restored, excellent
bass for any kind of music
|
|
|
1/2
4-S Bohemian Bass18th
century |
Gamba
|
flach/
flat
|
50
- 36 - 60 - 19,5
|
D-100,5
|
orangebraun
/ orange brown
|
perfectly
restored, excellent bass for solo work or chamber music
|
|
|
3/4
4-S Bohemian Bass, Löwenkopf / Lionhead, ca 1820 |
Gamba
|
gewölbt/
round
|
52
- 36 - 67 - 20
|
D-109
|
gelbbraun
/ yellow brown
|
fully
restored + perfect state
|
|
|
7/8
4-S attributed to Thibouville-Lamy
|
Violin
|
gewölbt/
round
|
51
- 36 - 66 - 20
|
D-110
|
rotbraun
/ red brown |
fully
restored / new top and neck (handcrafted 1992 by Master Focke/ Meyer Basses)
|
|
|
4/4 4-S South Tyrolian
Bass 19th century
|
Gamba
|
flach/
flat
|
50
- 34 - 64 - 20,5
|
D-108
|
rotbraun
/ red brown
|
good
condition, nice deep and warm tone. Valued at USD 30.000,- by Jacques
Francais 1997: "Herewith I confirm that the double bass in your possession
is an old northern Italian instrument, from ca. 1850. It has the typical
marks of this school. The instrument is in a fair state of preservation
and has on the today's market a value of USD 30.000,- "
|
|
|
3/4
contemporary Italian Copy, ca. 2000 |
Violin
|
gewölbt/
round
|
48
- 37 - 66 - 20,5
|
D-103,5
|
bernstein
/ amber
|
perfect
condition and nice woody tone
|
|
M 0122
klick
here
|
3/4
Rubner 1961 |
Gamba
|
gewölbt/
round
|
50
- 34 - 65 - 20
|
Eb-106
|
orange-rot
/ orange-red
|
Nice
original bass with fine spruce top in very good condition, no cracks at
all.
|
|
|
7/8
5-S Rubner 1993 with adjustable bridge |
Gamba
|
gewölbt/
round
|
51
- 37 - 67 - 21
|
D-106 |
bernstein
/ amber
|
good
condition and powerfull tone
|
|
|
3/4
German J.Rudolph, Gotha ca.1920 |
Gamba
|
flach/
flat
|
51
-35 - 65,5 - 20
|
D-107
|
rotbraun
/ red brown
|
nice
classy bass for any kind of music
|
|
| Zurück
zum/back to Quick-Finder | Wie
bestelle ich? · How to Order? |
| Start | Vektor-Details
|
contact.
|
| Saiten
· Strings
(
alle Preise in Euro inkl. 19% Mwst/ all
prices in Euro incl. 19% VAT) |
| Bestell-Nr./Order-Nr. |
Beschreibung/
Description |
Preis/Price
(€) |
| M 0201
seriously
recommended!
|
Hängelsaite für Saitenhalter
(Carbonfaser) / Tailpiece String (Carbon fibre)
Verbessert die Saitenresonanz
Ihres Instrumentes in unglaublicher Weise, unabhängig davon, welche
Saiten Sie benutzen !!! / Increases the
string resonance of your instrument in an unbelievable way no matter which
strings you are using !!!
|
13,- |
M 0202
|
Velvet Garbo (fibre
strings for Jazz players, mostly pizzicato mode)
The strings of choice
for the jazz bassist.
The solid core highlights the particular frequencies which enable the
acoustic instrument to hold its own - even against a drum set. The sound
is especially distinctive for the lower-middle frequency range, offering
rich harmonics that are clear and assertive with the familiar "kick"
as the note begins. The Garbo strings can produce a fullness of tone and
penetration which is simply unbeatable.
|
Larry
Grenadier
|
279,- |
M 0203
|
Velvet Anima (copper
wounded fibre strings excellent for arco and pizz)
Anima's thinner
core ensures a rapid response for pizzicato and arco players alike.
The strings produce a strong well-balanced sound with a rich bass and
open**harmonic** range. Perfect definition and audibility in all registers
makes them suitable for practically every application from Jazz to Baroque.
|
Rufus
Reid
|
279,-
|
M 0204
|
Velvet Compas 180
Orchestra (steel wounded fibre strings excellent for arco and pizz)
Classical string
designed for orchestral tuning. The use of up-to-date textile fibers
makes the strings particularly elastic, allowing (the instrument) increased
amplitude of vibration, and producing a full, rich, open sound. The
pizzicato is strong with long sustain. The strings respond perfectly
to the harmonics, which are crystal-clear. Compàs180 requires
no change in playing technique by the instrumentalist, while opening
up new possibilities in terms of sound, tone and modulation.
compàs180 may also be played in solo tuning.
...a dream come
true for classical players !!!
also available as
"Suit" with light tension
|
Hans
Roelofson
|
299,-
|
| M 0207 |
Velvet
Compas 180 hohe C-Saite / High C string
also compatible with Garbo and Anima Sets |
115,- |
| M 0208 |
Velvet
Compas 180 H2 Saite / Low B string |
125,- |
M 0209  |
Presto
Jazzicato Tungsten Nylon Tape wound, ideal for Old-School-Sound/ Darmsaiten
-Feeling / Gut string feeling |
140,- |
|
| Zurück
zum/back to Quick-Finder | Wie
bestelle ich? · How to Order? |
| Start | Vektor-Details
|
contact.
|
